Q. Could you briefly introduce yourself?

I'm Park Jin, making model custom and productions in South Korea.

Q. You go by the name "middle age of peninsula." What meaning does it hold? 

When I started my blog about ten years ago, it was a trend to refer China as the "continent," Japan as the "archipelago," and Korea as the "peninsula." I got the idea from that and came up with "middle age of the peninsula," which means "the common middle-aged man of the peninsula country."

Q. When did you first get into figures and models? And what led you to become a modeler from a collector? 

I've loved toys since I was 5~6 years old, and I've been making them ever since, professionally, about 13~14 years ago. As for collecting, it wasn't easy because there weren't available in Korea. But once I established a network with Japan, I started collecting pieces that weren't available here.

Q. Your painting technique of making 3D models seem like 2D cartoons is truly impressive. Could you tell us how you developed this technique and the process behind it? 

This technique is commonly known as "anime painting" in Korea, first introduced by a Japanese modeler about 7~8 years ago. I started mimicking it after seeing that, but then I decided, "I'll just paint in my own style," and kept working on it. Just as everybody has a unique handwriting style, you develop your distinct artistic style when you keep drawing your own way. This technique is now used by many, but each is slightly different.

Q. You’ve taught yourself numerous painting techniques. The process must not have been a breeze. 

When I started painting, there was no YouTube or many places to learn, so I learned from blog posts. But, since everyone had different opinions, I eventually got to think that 'I'll just do my way' and went through many trials and errors. There are so many different painting techniques I wanted to learn, but since I was self-taught from the beginning, I just developed my style rather than learning from others. So now, I don't even think about learning from anyone.

Q. What is the bigggest influence, and how are they reflected in your work? 

Since I'm now a professional, I focus more on the harsh realities rather than hobbies. The value of my work is converted into money, so I need to stay calm and objective in evaluating my work strictly rather than leniently, trying to maintain flexibility to avoid stagnation. The public gets tired of things easily, so it's important to always look for something fresh.

Q. How was your collaboration with SEVEN EIGHT UNDER? 

Thanks to the opportunity to create freely, I could pay homage to classic toys I loved during my childhood and the most famous mechanic animation, Gundam.

Q. Could you highlight some parts that best reflect your style? 

The anime painting technique I used created a comic-like feel, sparking curiosity for its fun and intriguing look.

Q. Is there a message you want to convey through this project? 

Given the current economic circumstances going downhill, I wanted to tell people to take a moment to heal themselves with things they loved or have loved since childhood. Objects with reminiscences are tied to memories. I hope you find comfort in revisiting things you love, like looking through faded photos.

Q. What kind of artist would you like to be remembered as? 

I want to be remembered as an artist who revives forgotten memories and visualizes imagination.

Q. What is your ultimate goal? 

I’m not sure how long I’ll be in the professional field, but my ultimate goal is to continue doing what I love, without losing my passion, until the very end.

Q. What advice would you give to beginner modelers? 

You need to have high standards. Even if your hands can’t keep up at the moment, high taste will help you keep growing.