Q. Could you briefly introduce yourself?

Hello, I'm Zipcy—an explorer who embraces any challenge as long as it involves drawing, a firm believer in the power of experience, and an artist balancing both commercial illustration and painting.

Q. The name "Zipcy" seems to carry a sense of freedom and passion. Could you share the story behind choosing this name?

The name "Zipcy" was inspired by Esmeralda from Notre-Dame de Paris—a confident, strong-willed character who helps others despite having little. I aspired to live similarly, earning through my art, sharing what I have, and staying true to my values. Gypsy’s original meaning resonated with me. A Korean writer, Jeon Hye-rin’s essay ‘And Then There Was Silence” describes Romani people in Munich “Though they had little, they never lost their pride and shared what they earned through their talents.” This inspired my name choice, with “Zipcy” replacing “Gypsy” for better searchability.

Q. What is the work you feel most attached to? I'd love to hear why that piece holds special meaning for you.

My most cherished work is "Touch," a series from 2017 to 2019 that captures fleeting moments of skin-to-skin contact between lovers. Consisting of over 90 pieces, it was later published as a book. While it gained more recognition overseas, it became my breakthrough work after years of being unknown.

Q. Where do you mainly draw inspiration from?

I draw inspiration from deeply exploring the complex emotions that arise in human relationships—especially feelings of attachment and longing. I also find inspiration through various channels such as personal experiences, music, films, and literature.

Q. When do you feel the most fulfilled while creating your work?

I feel the most fulfillment when I enter a state of deep immersion while creating—when the process itself brings me joy and exhilaration. Beyond that, the greatest reward comes when my work resonates with someone, moves them, or holds meaning for them—especially when they take the time to share their heartfelt thoughts with me.

Q. You work with both digital and painting. What do you find appealing about each, and how do they differ in expression and approach?

Digital art offers flexibility, allowing for bold experimentation since mistakes can be easily corrected. This lowers barriers and provides a sense of freedom. In contrast, painting demands intense focus as changes are difficult to make. My figurative style requires precise control, adding pressure—but that tension also fuels creativity. Additionally, seeing a piece physically take shape feels far more dynamic than digital work. That’s why I start digitally for flexibility before refining my work on canvas.

Q. Your studio, with its "ZIPCY BAR," has such a beautiful and unique atmosphere. What inspired you to design it this way? Also, do you have a favorite space or item in your studio?

I love the warmth of aged wood and large windows that bring in sunlight and the seasons, and I was lucky to find a space that embodies both. My favorite spot is the BAR, left behind by a design company CEO. As a lover of good drinks, it became my ideal space—perfect for unwinding with music or gathering with friends. That energy fuels my creativity. I also cherish my lighting collection—a vintage Murano lamp, a gifted glass lamp, and a Séytu Ché floor lamp, all casting a warm, inviting glow.

Q. Can you tell us about your collaboration with SEVEN EIGHT UNDER?

My work conveys emotion through eyes and hands—expressions and gestures remain restrained, while strong color contrasts heighten tension and energy. This piece follows the same approach, reflecting my past works. The clasped and caressing hands symbolize attachment to various desires—longing, belonging, warmth, and validation. Their reddened fingertips capture the pressure, afterimage, and lingering warmth of a firm grasp. Figures in peripheral vision reveal emotions more cautiously, torn between expressing desire and self-restraint. Through hands and color, I metaphorically depict this tension and duality.

Q. If you were to wear this piece yourself, how would you style it?

Since the key point of this piece is the contrast between mint and red, I’d love to enhance that by pairing it with an ivory-colored grunge-style dress, creating a bold, almost grotesque aesthetic. (Though I’m not sure I could personally pull it off!)

Q. What kind of artist would you like to be remembered as?

I want to be remembered as an artist who stays true to myself, continuously challenges myself, and works with dedication and sincerity.

Q. Five years ago, in an interview, you told aspiring illustrators, "It's a very difficult path, so I wouldn’t recommend it." Do you still feel the same way?

I believe the worst regret is not trying at all. Five years ago, I was less mature and financially unstable, so my answer was short-sighted, focused on survival. Everyone has their own trigger for feeling insecure, and for me, it’s stability. Without it, I felt extreme fear, so I always ensured a steady income while pursuing my dreams as a side job. If stability is the goal, giving up financial security for passion is still risky. But if one is prepared for uncertainty and values self-efficacy, then there’s no issue. Ultimately, it’s a personal choice. I believe true growth comes from fully embracing challenges, experiencing both failure and success, and learning through the process.

Q. What is your ultimate goal?

I aim to expand my exhibitions both in Korea and internationally, gaining diverse experiences. Ultimately, I want to create a piece that I can be truly satisfied with. To get there, I need to keep refining my skills and mindset through experience and learning. Though I still have a long way to go, and each finished piece leaves a sense of unfinished potential, I see that as fuel driving me toward my dream.